The country diary of a New Zealand lady

I'm impressed by Back to the land : a year of country gardening by Linda Hallinan, well known for her columns in New Zealand Gardener and The Sunday Times. Divided into the four seasons it is composed of diary entries about her life and her garden, including practical tips on cooking, preserving, keeping chickens, planting trees, raising plants, harvesting vegetables, cracking nuts and selling produce at the farmers' market. Along the way we are treated to insights into family life and rural living. Hallinane's writing is down-to-earth and amusing; she explains mistakes and disappointments but the beautiful photographs illustrate her many successes.
I've already made her "never fails to set" damson jam - it was easy and delicious. And I'm determined to get out to the Clevedon Farmers' Market some time soon.

Just a beginner

In a nod to the Dummies series of books, the publishing firm in Anne Tyler's latest novel has created the Beginner books, introductions to essential skills like wine, the monthly budget, dog training, the spice cabinet, birdwatching and many other amusing titles. The Beginner's goodbye refers to Aaron's grief at the death of his wife and the steps he takes to recover.

I have read several examples of bereavement memoir recently, for example A widow's story by Joyce Carol Oates and The year of magical thinking by Joan Didion but this fictionalised account of loss and questioning I found really enthralling. I zipped through the book in almost one sitting with my thoughts both challenged and reassured.

Anne Tyler is an excellent storyteller with an eye for interesting character traits and an ability to round off a book with a satisfying conclusion. Try also Digging to America and Back when we were grownups.

Family stories

Other people's lives, fictional or biographical, are fascinating. Memoirs, it seems, blur the boundaries between fiction and biography and although not always completely truthful are still insightful.

This is certainly the case with Hidden lives by Margaret Forster, a writer whom I greatly admire. Knowing very little about the early life of her mother and grandmother, Forster researched, imagined and embellished their social and family circumstances. It is a compelling story. I remember when I read her earlier book The diary of an ordinary woman I was unsure whether it was fact or fiction - but that didn't really matter. It was true to time and place and was an excellent story.

Another prolific writer, Joyce Carol Oates, whose novels I have enjoyed, has recently written a memoir called A widow's story. The book is about becoming a widow and all the heartache and difficulties that come with the new status but it also explores, the unknown to her, parts of her husband's life by poignantly analysing the content of a novel that he had been writing for most of his life.

I found the combination of reality and imagination in these two memoirs perceptive and revealing.

Books about books (and libraries)

I want to write about two recent books, one a novel and the other a reading memoir, that are book centric but I must begin with Book book by Fiona Farrell which is a novel framed by and immersed in books but is also a reading memoir describing the significance of books from Milly Molly Mandy to Owls do cry. If you missed this one (it was published in 2004) you are in for a treat!

A first novel, The Borrower, by a new young witer Rebecca Makkai, is all about books and reading and also includes amusing glances at libraries and librarians. The library borrower is ten year old Ian but then Lucy the Librarian turns borrower when she embarks on a road trip with Ian. Along the way are references to many well known children's books and even some rather clever paraphrasing of stories. The author admits to borrowing ideas from Lolita and the Adventures of Huckleberry Finn to move the plot along but she has created a unique character in Ian which makes for lively if not credible reading. There have been mixed reviews about this book but I think it is worth a try.

The memoir The Reading promise by another debut writer, Alice Ozma, is an exortation for reading aloud and comes complete with an appendix of good read-aloud titles. Alice's bedtime reading with her father lasted all through her childhood and continued until she left home for college at 18 years old. There are references in the text to many books and characters and also some links to the Library profession, but the main subject is parenting and the real content is the personal story of Alice and her father. Nearing sentimentality at times, it is nevertheless an interesting look at solo-parenting and an endorsement of the importance and significance of books and reading to the human condition. Oh yes, and libraries as well!

Art houses

I have surprised myself by not only reading but really enjoying a non-fiction book. My average is two non-fiction titles a year and I've reached that number already with a quarter of the year still to go.

At the top of my non-fiction list is this prize winning biography/history/social commentary The Hare with the Amber Eyes by Edmund de Waal.

This book caused quite a stir in the UK earlier this year, winning the Galaxy new writer's award, the Costa Biography Award and the Ondaajte Prize for a work that "best evokes the spirit of a place". de Waal though is not writing about one place, his narrative, subtitled a family's century of art and loss, moves from Paris to Vienna to Tunbridge Wells to Tokyo to Odessa and finally to London. The story follows the family heirloom collection of Japanese netsuke as it moves from place to place with the tide of history.

A combination of family history, art history and social history and including the tragedy of war, the dehumanisation of the Jewish people and the horror of the Holocaust this book is perfectly pitched to be page-turningly readable. In the words of judge Ali Smith it is a work "whose lightness, when it comes to dealing with the weight of history, is almost miraculous" and poet Don Paterson said that the book "never slips into sentimantalism; it is as smooth and perfect as his own ceramic works".

Yes, de Waal is an artist, a potter, and describes the netsuke, the paintings and other aspects of art, design and architecture with understanding and love.

I found myself revisiting the Impressionists and the works of Klimt, searching for more images of the netsuke, reading more about Odessa and Vienna and finding out about de Waal's celadon cylinders.

Reading this book is an all-round experience; it is personal but universal, sad yet happy, interesting and enlightening. A perfect read!

Commonplace

A word usually understood to mean general or ordinary but in association with the word book, as in commonplace book, it turns into meaning noticeable or perhaps even special. Elizabeth Smither's latest book The Commonplace Book is out-of-the ordinary and very interesting.


Elizabeth Smither has always kept notes of what she reads and hears; extracts from poems, overheard conversations, headlines from newspapers and intersperses these in her notebooks with her own thoughts and memories. In the preface she calls this "a miscellany of profound or light or provocative items...form the linkages of a life as it is lived. Particularly the life of a writer as it is affected by the writings of others". This commonplace book is not a diary but it does give insight into the thoughts and creative processes of a writer.

Charming, interesting, motivating - I have started my own commonplace book!

A bird house

I think I've got it! Several of my previous posts have questioned memoirs as a literary genre but I now realise that adding a memoir to a book title is the publisher's construct. Authors writing about important parts of their life are not confined by genres - they are telling their own story. Annie Proulx in her latest book Bird Cloud is telling the story of her dream house and woven into that story are many strands of history, genealogy, zoology, geology, ecology, philosophy and literature, in wonderful crystal clear writing. Penelope Lively in A House unlocked described her childhood house through its many generations of residents discussing the relevant social conditions of the day and the psychology of families and relationships.

These books are more than memoirs, wider than biography and deserve not to be pigeon-holed into any particular genre. They do deserve wide reading!

Navigating memories

Another example of how memoir is becoming the preferred genre to autobiography. When approached to write her autobiography Joy Cowley was reluctant but by putting together her memoirs, she has created in Navigation a set of stories on the main themes of her life that combine description, analysis and insight. A writer for children, teenagers and adults, Joy Cowley has produced hundreds of readers for schools and is a founding member of Storylines, the Children's Literature foundation of New Zealand. Her literary life is extremely interesting and it is fascinating and enlightening to read about the background to Mrs Wishy-Washy and The Silent One to name just a couple of outstanding examples of her story making.



I like the title as it suggests navigating through life to reach a destination but I found myself wanting to know more; how did she manage to write Nest in a falling tree while raising four children and helping to run the family farm? Joy Cowley is an amazing woman - what is it that shapes such creativity and output?


I'm drawn to literary biography for answers to such questions but it seems that currently I will only find such information from authors themselves through their selective memoirs.

Ooooby

Move over Annabel Langbein and Barbara Kingsolver, here comes Fionna Hill!

A Green granny's garden: a year of the good life in Grey Lynn is a charming, readable book by Fionna Hill subtitled The confessions of a novice urban gardener. Covering similar territory to the big names mentioned above: produce from the garden to the table, month by month descriptions of planting and harvesting, and comments on the benefits of locally grown food, Fionna Hill writes however with a refreshing realism about her venture. We hear about her gardening problems and failures; we hear about the differences in her approach to the idealist organic ethos and we hear about far more gardens than her little patch in Grey Lynn.

Ooooby (Out of our own backyard) is an organisation connecting growers and eaters in communities. Fionna Hill took her microgreens to exchange there but didn't have many takers, but that's another story. I loved this book for its gardening and cooking tips, its wry comments on people and society and isms and its personalised information. I just wish that it had an index so that I can quickly find again the recipes for preserved green figs and pickled olives; my post-it notes keep dropping out of the well turned pages.

Memories or memoirs?

Recall is an interesting aspect of writing about one's own life. Dame Cath Tizard in Cat amongst the pigeons writes frequently that details "have vanished in the mists of my memory". True to the events or not, this is a very readable book covering the political life of an extremely busy woman and highlighting some major changes in New Zealand life over the last 50 years. She revels in the fact that there are now many more women in influential positions. This book is full of anecdotes, often amusing, about people she has met, from Royals to schoolchildren, and includes her outspoken comments about any unkindness, unfairness or discrimination that she met anywhere in the world. In her conclusion she quotes Aldous Huxley "it's a bit embarrassing to have been concerned with the human problem all one's life and find at the end that one has no more to offer by way of advice than - we should try to be a little kinder". Cath Tizard's kindness has had amazing repercussions in New Zealand and they are well-documented here.

A windy place

This is how Jackie Kay describes the aloneness of an adopted person who does not know about lines of heredity, stories of ancestors or family ties. In her latest book Red dust road, Jackie Kay tells the story of finding her birth parents and recognising her special ancestry. Many of her published poems have explored adoptive situations but this autobiography tells her very own story in a humourous and moving way.

I was very fortunate to hear her reading several passages from the book during the Beverley Literature Festival. Her presence is surprising; afro hairstyle, mid brown skin and broad Scottish accent, but so commanding. Her reading is always a performance and the message comes across loud and clear. I ventured to ask a question (I'm more used to running around with a microphone than speaking into one) as she had read about her birth father, her adopted mother and adopted brother and I wondered if the writing about her birth mother was more difficult? Indeed, she admitted that story is sadder and that she was unable to write about it with the humour that characterised the telling of Daniel's story but she agreed to read an extra short piece that the audience found very moving.

Jackie said that there are 3 families in this book which is a multivoiced memoir even allowing room for the reader to tell their own story along the way. What really struck me was the portrait of her adoptive parents as the most loving, understanding, conscientious people. The red dust road refers to the landscape of Nigeria that overwhelmed her on first arrival in the country. Her new relationship is to her ancestral land rather than to her father. And her final comment was that the story is still unfolding. Jackie Kay's ability to communicate so much through her prose and poetry is astounding. Listen to her here