Showing posts with label Authors. Show all posts
Showing posts with label Authors. Show all posts

Saturday, May 14, 2011

Festival highlights








Fiona Farrell's Quake story at the Gala Night



Gail Jones' articulate analysis of her writing process






Michelle Leggott's wedding poem



Barbara Strauch saying that logical reasoning is at its peak by age 60 but you still won't know where the car keys are!



Best round up of events as usual is from Christchurch City Libraries

Friday, October 15, 2010

A windy place

This is how Jackie Kay describes the aloneness of an adopted person who does not know about lines of heredity, stories of ancestors or family ties. In her latest book Red dust road, Jackie Kay tells the story of finding her birth parents and recognising her special ancestry. Many of her published poems have explored adoptive situations but this autobiography tells her very own story in a humourous and moving way.

I was very fortunate to hear her reading several passages from the book during the Beverley Literature Festival. Her presence is surprising; afro hairstyle, mid brown skin and broad Scottish accent, but so commanding. Her reading is always a performance and the message comes across loud and clear. I ventured to ask a question (I'm more used to running around with a microphone than speaking into one) as she had read about her birth father, her adopted mother and adopted brother and I wondered if the writing about her birth mother was more difficult? Indeed, she admitted that story is sadder and that she was unable to write about it with the humour that characterised the telling of Daniel's story but she agreed to read an extra short piece that the audience found very moving.

Jackie said that there are 3 families in this book which is a multivoiced memoir even allowing room for the reader to tell their own story along the way. What really struck me was the portrait of her adoptive parents as the most loving, understanding, conscientious people. The red dust road refers to the landscape of Nigeria that overwhelmed her on first arrival in the country. Her new relationship is to her ancestral land rather than to her father. And her final comment was that the story is still unfolding. Jackie Kay's ability to communicate so much through her prose and poetry is astounding. Listen to her here

Sunday, October 3, 2010

Notwithstanding the English

Louis de Bernieres, the first speaker at the Beverley Literature Festival, discussed his latest book Notwithstanding: stories from an English village and answered questions from the audience about Englishness. His previous books have all been set in more exotic places but he has realised that there is a lot of material much closer to home. In a series of linked short stories, he introduces a cast of unusual characters and gently hints at how English village life is gradually changing.

The Beverley Festival programme covers fiction, biography, poetry and politics with local authors and stages events over ten days. A Children's Literature Festival is also happening at the same time - wonder if they need another volunteer?

Thursday, May 20, 2010

New Zealand writers are international too

Among the big names from overseas, John Carey, William Dalrymple, Lionel Shriver and Colm Toibin, attending the Auckland Writers and Readers Festival our own New Zealand authors were equally articulate, interesting and challenging. And many of them are known internationally too; C.K. Stead has recently won the inaugural Sunday Times (UK) short story competition, Rachel King's first novel The Sound of butterflies was published in nine countries, Paula Morris teaches creative writing in New Orleans and was a finalist for the Commonwealth writers prize.


King and Morris discussed their books, their research, their approach to writing and their reading preferences with a great chairperson, Dorothy Vinicombe, and an attentive audience. They are both New Zealand writers but with worldwide perspective.

Personally I prefer the writing of Rachel King (pictured) which I find
detailed and atmospheric. Her novels are certainly unusual; they are historical dealing with ancestry, inheritance, collecting, tattooes, taxidermy but, especially in Magpie Hall, she brings those preoccupations right up to date. Read it and enjoy!

Her own blog, called the sound of butterflies, is well worth reading too.

Saturday, May 15, 2010

Crowds of readers

Saturday sell-out successes at the Writers and Readers Festival were:

Quotes from Lionel Shriver
  • Libraries are expressions of social generosity
  • Book groups are a healthy cultural phenomenon
Thanks to Roberta Smith from Christchurch Libraries for her interesting interview with Lionel Shriver

Friday, May 14, 2010

Ideas need words


This is the publicity slogan for the Auckland Writers and Readers Festival and it is emblazoned in capital letters 3 inches high on the volunteers' t-shirts. As I was heading for the bus stop tonight after a day of ideas and words someone pointed at me and said "that's not true you know". Well, I hadn't actually thought about it until that moment but I do think that people need books and books contain ideas and words describe those ideas and so I am quite happy with the phrase. It's not exclusive; ideas need images too and art is included in the Festival. Perhaps I will stop to chat with the next person who contradicts my t-shirt.

Today I heard Elizabeth Smither reading some of her poetry and talking about Lola, a novel that I have already read but I enjoyed hearing about its genesis and background.


An excellent session followed, chaired by Kim Hill with Anne Salmond and Thomas Keneally discussing their various historical books. Much of the discussion concerned the "cultural faultline" - that space between the new settlers and the native populations in Australia and New Zealand. Thomas Keneally hopes that his writing affirms the humanity of our ancestors on either side of the race divide whilst Anne Salmond sees herself dancing on the line cherishing things from both sides. She is always curious to find out what happened in the past to create a richer story and expects a blur between fiction and non-fiction if imagination is brought into the explanation of an event. Thomas Keneally then stated that "fiction is trying to tell the truth by telling lies whilst history is trying to tell the truth by trying to tell the truth". Thomas Keneally was amusing, Anne Salmond was expansive and Kim Hill was well-prepared, perceptive and probing with her questions. Her radio interview with Thomas Keneally will be worth listening to - find it here if you missed the broadcast.

Tuesday, March 23, 2010

Andrea Levy

Andrea Levy, author of the Orange prize-winning novel, Small Island is in New Zealand talking about her new book The Long Song. With articles in The Herald and interviews on the radio she is gaining lots of interest and rightly so. In conversation with Carole Beau at The Raye Freedman Centre, she explained the origins of the book and its links with her family. She was both funny and serious and a pleasure to listen to.She switched her Jamaican accent off and on to read from the new book in the voices of various characters. In fact, she has recorded the audiobook herself and I am seriously considering listening instead of reading this time.

Friday, March 12, 2010

Fiction on Friday

Although today began with two history sessions; serious stuff too, a panel on Judith Binney's books and then James Belich on Replenishing the earth, it was the fiction writing that formed most of the programme and I made a list of books to request and authors to investigate:


Alligator and February by Lisa Moore (pictured left) are set in Newfoundland. Lisa's writing is sharp but sympathetic and I'd like to see how it fits with other contempoarry Canadian writers that I've enjoyed.

The good parents by Joan London, a celebrated Australian writer, sounds dark but evidently explores intimacy.





American novelist Susanna Moore started her writing life with three books set in Hawaii that explore place, family and identity. She wrote the erotic thriller In the cut filmed by Jane Campion but read from her latest book The big girls a narrative about the aftermath of a brutal murder. Not my kind of read but I'd certainly like to find out about her early autobiographical novels.






The fiction finale brought together Neil Gaiman and Margot Lanagan with chairperson Kate de Goldi in a talkfest accompanied by thunderclaps, strong winds and drumming rain - yes, the southerly came through but Neil Gaiman kept a straight face and continued talking about sinsiter things in graveyards!

Thursday, March 11, 2010

Discoveries on Thursday at the Writers' Festival

The first session this morning with Geoff Dyer was very funny. I didn't know about him but North Shore Libraries does have some of his books. He is a travel writer, a columnist and a novelist who makes his readers work hard. His titles are carefully chosen to give clues about the book's content; for example Yoga for people who can't be bothered to do it and his latest Jeff in Venice, death in Varanasi which is made up of two parts with no narrative links but containing little clues and pointers to enhance the reader's understanding of the story. He was intellectual and witty and chairperson Emily Perkins was his equal.

Kamila Shamsie, author of Burnt shadows, is my choice for "best at the festival".





She has written four previous novels, collectively referred to as the Karachi novels, in which she explores the powerful legacies in the history of Pakistan; politics, war, love, family, food, flora, language, religion  and gender. Burnt shadows is an international novel, an epic narrative - a very readable one that spans 5 continents and 60 decades relating the experiences of one woman affected, indeed buffeted, by a series of historical events from Nagasaki in 1945 to 9/11 in 2001.
Kamila talked about her books and her life with Kate de Goldi for an hour that passed so quickly. She was engaging, articulate, perceptive and a worthy nominee for the Orange Prize.

Further impressions from Thursday
  • Margot Lanagan shocked many in the audience
  • Bill Manhire's poetry reading was moving
  • Peter Singer got a full house and had many followers in his audience
  • At 12 o'clock I was on Freyburg Beach in the hot sun but by 2 o'clock after the next session it was raining and my feet were cold: guess I'll remember the first two blue sky days!

Wednesday, March 10, 2010

Highlights from Wednesday in Wellington

  • Walking along the waterfront watching the sun rise
  • Emily Perkins reading from her novel in progress
  • Catching up with "old" colleagues from various places
  • Watching Audrey Niffenegger smile her way through a huge signing queue
  • The fig icecream
Sarah Waters has written 3 novels set in Victorian times and 2 set in postwar Britain. She described The Little stranger as exploring tensions, social, cultural and personal. She likes to surprise her readers but also wants the story to be intelligent, gripping and emotionally true. Her historical settings are not meant to recreate the past but to look at it with fresh eyes. That is quite different to Sarah Dunant's approach. The Little stranger is her most recent book and was shortlisted for the Booker prize but I prefer Night watch.



Audrey Niffenegger is an author, an illustrator and a teacher and a very interesting person to listen to. She described her books as extremist but appeared to be a gentle, bashful person. Her fearful symmetry is a twenty first century take on a nineteenth century novel and took a long time to research. She even became a tour guide at Highgate Cemetry in order to understand how to write it into the story. The Time traveler's wife was a huge success but she has not and will not see the movie as she holds her own pictures in her mind. She did work very hard constructing the story so that the "rate of reveal" was just enough to keep the action rolling along. She thinks fiction is unlimited in what it can offer the reader but it must still be recognisable with a certain amount of reality.


Tuesday, March 9, 2010

Gala opening

Tonight was the first of 46 book related events happening in Wellington over the next six days. Kate de Goldi valiently attempted to lead four disparate writers in a conversation about the modern novel dropping several quotable remarks into the proceedings e.g. novels are adventurous wanderings in other lands, an opportunity to explore the outer reaches of human behaviour, report on experience speaking a realistic truth.
The authors spoke for themselves and failed to find any common ground; Gil Adamson said that reading novels didn't help her learn to write them, Audrey Niffenegger claimed that reading is everything. Neil Cross likes action but Kamila Shamsie is fascinated by words.
This panel introduced the authors and gave them all chance to comment on how they write their fiction but I am keen to hear Audrey Niffenegger and Kamila Shamsie in their own sessions tomorrow. They will have more time to explore the balance between reality and fantasy (Niffenegger) and between politics and domesticity (Shamsie). I won't be following up Neil Cross!

Monday, March 8, 2010

NZ Post Writers and Readers Week, Wellington

I'm off to Wellington on Tuesday to hear some wonderful authors talking about their books. I can't wait!
I have 3 days and 15 sessions covering fiction, poetry, history and contemporary issues. I have my laptop and will add posts as often as possible about what I hear and learn.
The opening session has Kamila Shamsie, Neil Cross, Gil Adamson and Audrey Niffenegger in conversation with Kate de Goldi. Watch this space!












Please add your comments too.

Friday, March 5, 2010

Summer season of international women writers

Week 2 Xinran
At Raye Freedman Arts Centre, Epsom Girls' Grammar School, Silver Road

Xinran, author of The Good women of China and Sky Burial, described her childhood and working life in China and how she stored her experiences and insights in order to write her latest book Message from an unknown Chinese mother. This book tells the stories of Chinese mothers whose daughters have been wrenched from them, and also brings us the voices of some adoptive mothers from different parts of the world. These are stories which Xinran could not bring herself to tell previously - because they were too painful and close to home. She was in tears during the interview and so were members of the audience.


Monday, March 1, 2010

Summer season of international women writers

Week One

Marina Lewycka








Sarah Dunant